State of the Race: National Board of Review

What is the National Board of Review? Wikipedia tells us that this is an organization, starting in 1908, made up of critics, film enthusiasts, academics, and filmmakers in the New York Metropolitan area. Despite having “National” in name, the Board is rather regional and has only about 100 members cast ballots for nominees and winners in various categories. So… in terms of overlap to what the Academy does, it’s limited, and shows more correlation than causation. The main point, in terms of the Oscar race, is that the NBR is the first critical body to announce its annual awards. And it’s always fun to have news.

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Jim & Andy: The Great Beyond, Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (2017)

Now available on Netflix
Director: Chris Smith
Starring: Jim Carrey

Jim & Andy: The Great Beyond, Featuring a Very Special, Contractually Obligated Mention of Tony Clifton. Just soak in that title. Vice wants you to. Andy Kaufman would want you to. Probably. It’s a knowing joke, owing that you already have knowledge of what Tony Clifton is (which, at this point in 2017, would probably be exclusively from The Man on the Moon, rather than the primary source). And that’s kind of what this movie is – it’s a philosophical and skin crawling documentary which requires the reviewer to have watched Jim Carrey’s 1999 biopic about Andy Kaufman to enjoy watching this 2017 film. I did, and I thought it was fascinating.

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State of the Race: Film Independent Spirit Awards

Happy Thanksgiving! We give thanks to never ending coverage of the lead up to the Oscars. Our awards cornucopia adds the nominations for the Film Independent Spirit Awards, which came out this week on November 21, 2017. Huzzah.

This is the second award domino to fall (after the Gotham Award nominations), but is similarly unconnected to the actual industry. The Spirit Awards are given by Film Independent, a nonprofit arts organization supporting independent films and filmmakers, for “independent” movies made for under $20 million. Prestige arms of big studios still get in here, like Fox Searchlight, Paramount Vintage, and Sony Pictures Classics. But also, big prestige films that win Oscars get celebrated here too – four out of the last five Best Picture winners were also winners here: The Artist (2011), 12 Years a Slave (2013), Birdman (2014), Spotlight (2015) and Moonlight (2016). And they sort of steal Oscar thunder too – the Independent Spirit Awards are usually held the night before the Oscars. This year, they’ll have Nick Kroll and John Mulaney (of Oh Hello fame) hosting. Fun.

Statistics

Before the nominations, the statistics – the Spirits improve from the Gothams (35% prediction to Best Picture) with a 44% overall prediction for a Best Picture nomination (taken from 2009 onward, since that was the year that the BP field expanded from five). There have been 18 Academy Award nominated films out of 41 Spirit nominations. Taken year to year, the full BP slate averages about 2.25 Spirit films a year, including two last year with Moonlight (the Spirit winner) and Manchester by the Sea. Some other categories have less success – Best Director is only about 29%, but every Spirit winner has been a nominated Director since ’09. Best Actor is 29%, Best Actress increases to 44%, Supporting Actor is 28%, and Best Supporting Actress is 20%.

So there is some correlation – it averages out to at least one Spirit nominee in all of these categories, and there are Oscar winners in the bunch with Casey Affleck (Manchester by the Sea, 2016), Brie Larson (Room, 2015), J.K. Simmons (Whiplash, 2014), Lupita Nyong’o (12 Years a Slave, 2013) and director Michel Hazanavicius (The Artist, 2011) among many others.

Nominations

Best Picture
Call Me by Your Name
Get Out
Lady Bird
The Florida Project
The Rider

Best Director
Sean BakerThe Florida Project
Jonas CarpignanoA Ciambra
Luca GuadagninoCall Me by Your Name
Jordan PeeleGet Out
Benny & Josh SafdieGood Time
Chloe ZhaoThe Rider

Best Actress
Salma HayekBeatriz at Dinner
Frances McDormandThree Billboards outside Ebbing, Missouri
Margot RobbieI, Tonya
Saoirse RonanLady Bird
Shinobu TerajimaOh Lucy!
Regina WilliamsLife and nothing more

Best Actor
Timothee ChalametCall Me by Your Name
Harris DickinsonBeach Rats
James FrancoThe Disaster Artist
Daniel KaluuyaGet Out
Robert PattinsonGood Time

Best Supporting Actress
Holly HunterThe Big Sick
Allison JanneyI, Tonya
Laurie MetcalfLady Bird
Lois SmithMarjorie Prime
Taliah Lennice WebsterGood Time

Best Supporting Actor
Nnamdi AsomughaCrown Heights
Armie HammerCall Me by Your Name
Barry KeoghanThe Killing of a Sacred Deer
Sam RockwellThree Billboards outside Ebbing, Missouri
Benny SafdieGood Time

Other Categories

Robert Altman Award
Mudbound

John Cassavetes Awards
Dayveon
A Ghost Story
Life and nothing more
Most Beautiful Island
The Transfiguration

Best First Feature
Columbus
Ingrid Goes West
Menashe
Oh Lucy!
Patti Cake$

Best Screenplay
Greta GerwigLady Bird
Azazel JacobsThe Lovers
Martin McDonaghThree Billboards outside Ebbing, Missouri
Jordan Peele – Get Out
Mike WhiteBeatriz at Dinner

Best First Screenplay
Kris AvedisianDonald Cried
Emily V. Gordon & Kumail NanjianiThe Big Sick
Ingrid JungermannWomen Who Kill
KogonadaColumbus
David Branson Smith & Matt SpicerIngrid Goes West

Best Cinematography
The Killing of a Sacred Deer
Columbus
Beach Rats
Call Me by Your Name
The Rider

Best Editing
Good Time
Call Me by Your Name
The Rider
Get Out
I, Tonya

Best International Film
BPM (Beats Per Minute) – France
A Fantastic Woman – Chile
I Am Not a Witch – Zambia
Lady Macbeth – United Kingdom
Loveless – Russia

Best Documentary
The Departure
Faces Places
Last Men in Aleppo
Motherland
Quest

Multiple Nominations:
6 – Call Me by Your Name
5 – Get Out, Good Time
4 – Lady Bird, The Rider
3 – I Tonya, Columbus
2 – The Florida Project, The Big Sick, Beatriz at Dinner, The Killing of a Sacred Deer, Ingrid Goes West, Beach Rats, Oh Lucy!, Life and nothing more

Of Note

Call Me by Your Name is getting the nominations it should – a favorite coming out of the film festivals, it was expected to dominate these independent award nominations. So it’s good for its chances at Oscar that it is doing as well as it is here.

After momentum at the Gothams, both Jordan Peele (Director/Screenplay) and most excitedly Daniel Kaluuya (Actor) continue to pick up nominations. Get Out is a genre movie, so it had a steep hill to climb to Oscar plaudits. The movie already can’t be denied from a financial perspective, as it made bank from a modest budget – now it seems like it also can’t be denied from a critical perspective. Rotten Tomatoes and Metacritic is one thing, but showing up on these nomination lists keeps this February movie in the spotlight, which is a good thing.

Get used to what I’m dubbing the “Triumvirate of Moms” in Best Supporting Actress – Holly Hunter, Allison Janney, and Laurie Metcalf are all playing mothers that keep hitting the same award shows. I expect them to keep showing up until Oscar night… when three moms enter… and one mom leaves…

The Rider looks interesting and got nominations across the board, but this is a case of Spirit nominations only – the movie doesn’t screen until 2018 and won’t be eligible. Similarly, Good Time, a critical favorite, is being lauded here and would be eligible for Oscar, but seems just like an indie hit, and not an Academy movie.

Hopeful Oscar Nominations (in my opinion):
Best Picture – Call Me by Your Name, Get Out, Lady Bird, maybe The Florida Project
Best Director – Luca Guadagnino, Jordan Peele, maybe Sean Baker
Best Actress – Frances McDormand, Saoirse Ronan, maybe Margot Robbie
Best Actor – Timothee Chalamet, maybe Daniel Kaluuya and James Franco
Best Supporting Actress – Holly Hunter, Allison Janney, Laurie Metcalf
Best Supporting Actor – Sam Rockwell, Armie Hammer

Interesting Omissions:

Three Billboards outside Ebbing, Missouri for Best Picture – really interesting. Both here and at the Gothams, Three Billboards was snubbed for Best Picture after being the audience award winner at the Toronto International Film Festival (TIFF). But Frances, Rockwell and McDonagh got kudos here. Hmm.

An unfortunate one here that The Big Sick didn’t get in for Best Picture. Emily and Kumail were nominated for writing, which is great, and Hunter is holding it down in acting. I just really like that movie.

Greta Gerwig for Best Director – another case of a lot of love all over (Picture, Actress, Supporting Actress, Screenplay) but GG, a former Spirit nominee for Greenberg and indie queen, missed out on this one.

Willem Dafoe (The Florida Project) and Michael Stuhlbarg (Call Me) for Best Supporting Actor – some Oscar front runners missed out here, with Armie replacing Stuhlbarg for the same movie. I don’t think Dafoe is in trouble as a lot of the Spirit nominees here are long shots for Oscar.

Mudbound gets the backhanded compliment of a special award, but nothing competitive – exactly like the special jury prize for the cast from the Gotham Awards. Interesting how Netflix’s big play keeps getting left of the normal categories.

Mudbound (2017)

Now Available on Netflix
Directed By: Dee Rees
Starring: Carey Mulligan, Jason Mitchell, Garrett Hedlund, Jason Clarke, Mary J. Blige

These are the Netflix original movies so far: Beasts of No Nation, The Ridiculous 6, Crouching Tiger, Hidden Dragon: Sword of Destiny, Pee-wee’s Big Holiday, Special Correspondents, The Do-Over, The Fundamentals of Caring, Rebirth, Tallulah, XOXO, ARQ, The Siege of Jadotville, Mascots, I Am the Pretty Thing That Lives in the House, 7 Años, True Memoirs of an International Assassin, Mercy, Spectral, Barry, Coin Heist, Clinical, Take the 10, iBoy, Imperial Dreams, Girlfriend’s Day, I Don’t Feel at Home in This World Anymore, Burning Sands, Deidra & Laney Rob a Train, The Most Hated Woman in America, The Discovery, Win It All, Sandy Wexler, Sand Castle, Tramps, Small Crimes, Handsome, Blame!, War Machine, Shimmer Lake, You Get Me, Okja, To the Bone, The Incredible Jessica James, Naked, What Happened to Monday, Death Note, Little Evil, First They Killed My Father, Gerald’s Game, Our Souls at Night, The Meyerowitz Stories, The Babysitter, 1922, Wheelman, The Killer, A Christmas Prince, and now Mudbound. Some are better than others are (as some are Adam Sandler movies), but it does not seem like any would be a five star movie. Only with this latest movie does a Netflix movie seem like it is trying to be a classic.

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Talkie Talk #63: The Watchlist / Valerian / Wind River / Justice League / Survivor / News – 11/22

Talkie Talk
Talkie Talk #63: The Watchlist / Valerian / Wind River / Justice League / Survivor / News - 11/22
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The cool guy trio of Chris, Brent and TJ talk extensively about their Watchlists (includes talk about the disappointment of Valerian, the surprising Wind River, and the lifeless husk of Justice League, amidst many more!), Reality Roundup (Survivor suicide pool claims another life), and then dip into  Breezy on the Streets (week’s news in film, TV and games).

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The Watchlist (1:06)
Chris: Smurfs: The Lost Village (2:02), Burning Sands (5:28), Jim & Andy: The Great Beyond (10:15), The LEGO Batman Movie (16:52), Master Chef (21:37), Shot Caller (21:55), The Punisher (21:30), Valerian and the City of a Thousand Planets (23:15)
TJ: Murder on the Orient Express (31:34), Chappie (35:08), Atomic Blonde (39:02), Wind River (42:36)
Brent: Bounce (49:57), The Sum of All Fears (51:50), Paycheck (53:50), Jersey Girl (55:55), Clerks 2 (57:40), Man about Town (58:06), Justice League (1:01:14)
Reality Roundup: Survivor (1:04:30), The Challenge (1:08:00)
Breezy on the Streets (1:08:24)
1:08:30 – Number Nine (Tarantino Manson movie with Tom Cruise) coming to Sony
1:09:20 – CBS coming out with Stripes TV show – you’re welcome
1:09:44 – Al Franken accused of sexual misconduct
1:10:05 – Amazon Prime’s new Lord of the Rings show
1:11:08 – EA hates its players, gives them punishing micro-transaction system in Star Wars: Battlefront II
1:15:05 – Despicable Me studio to make new Super Mario animated movie
1:16:08 – Best Bet this Weekend: Coco or Roman J. Israel, Esquire

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

State of the Race: Best Documentary Feature

An early glimpse of the Best Documentary Feature category has presented itself in the form of the Producer’s Guild of America nominations. While the rest of the PGA nominations aren’t announced until January 5th, the documentary nominations are released in November. They are:

Chasing Coral (Netflix)
City of Ghosts (Amazon Prime)
Cries from Syria (HBO)
Earth: One Amazing Day (in theaters)
Jane (in theaters)
Joshua: Teenager vs. Superpower (Netflix)
The Newspaperman: The Life and Times of Ben Bradlee (HBO)

City of Ghosts – 2017 (image: imdb)

All these films are eligible, and on the “short” list (170 docs) for the Academy except The Newspaperman. Every other documentary should be happy for this bit of news. Ben Bradlee is being portrayed by Tom Hanks in The Post which is sure to clean up on nominations next year at the Oscars. If I’m picking a lock to be nominated out of this group it’s probably Jane. City of Ghosts and Cries from Syria seem like your usually Academy bait, but Jane just looks too good.

Happy watching! And be sure to check back in for more articles in our ongoing State of the Race series as awards season heats up.

Justice League (2017)

Now in theaters
Director: Zack Snyder
Starring: Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons

There’s a notion in sports that momentum can breed success. Many fans and analysts believe that scoring a TD on one drive makes you more likely to score on the next. The baseball team that scored in the 7th and 8th innings will be more likely to score in the 9th. Research, on the other hand, suggests that sequencing, or momentum, doesn’t really play a big predictive role in the events that come next. Momentum can’t carry you to victory if you don’t execute. It’s a hard lesson, and Justice League reinforces it.

Batman vs. Superman: Dawn of Justice was, more or less, a 2 hour, 30 minute preview for Justice League. It lacked much of a story, and served more to just plant seeds for DC’s ultimate stab at Avengers money. Needless to say, there is a lot of pressure on Justice League to hit the mark and not spoil the good momentum created by Patty Jenkins’ excellent Wonder Woman. And while DC’s latest offering isn’t its worst, and certainly has some nice elements and moments, it is assuredly a step in the wrong direction. Wonder Woman fittingly came out in Spring, bringing life and optimism to the DC Extended Universe. Justice League is, conversely, the bleak realism of autumn, a cold reminder of the issues that come with Zack Snyder films.

I wasn’t kidding when I said some things work, and let’s start with those. First and foremost, Jason Momoa is an excellent choice for Snyder’s version of Aquaman. It seems like a bold choice, given how he’s so physically different from the comic book version, but you get the feeling that Snyder and Warner Bros simply wanted their own Thor, because nothing about Justice League is original or inspired, so how could this be? That said, Momoa clearly has fun in the role, and I had a lot of fun watching him. He brings charisma to the film; if Thor had Tony Stark’s wit and zest for alcohol, he’d be Momoa’s Aquaman. More than any other character in the film, Aquaman seems like an actual superhero. When he’s on film, you’re reminded of Snyder’s biggest strength as a director – creating lasting images that stick with you. I don’t know how Aquaman will fare as the centerpiece of his own movie, but in the group setting, he works.

Ezra Miller has fun as The Flash, and there are moments that work, but other jokes written for him just fall flat – there’s a pause after a joke about brunch that clearly indicates the filmmakers expect some big laughs, but they miscalculated. Still, Miller is a solid Barry Allen. He’s an excellent actor, and while chops don’t exactly go on display here, like Momoa he’s charismatic. Unfortunately, Snyder’s depiction of The Flash is too obviously an amalgamation of successful Marvel big screen characters. The quippy teenager comes off as a little too Spider-Man-esque, and there’s a scene that owes so much to Quicksilver in X-Men: Days of Future Past, I was actually surprised Jim Croce’s “Time in a Bottle” didn’t start blaring.

Continuing with our tour through the heroes, Wonder Woman (Gal Gadot) is fine, but after a good scene where she foils a robbery, there isn’t too much for her to do for the rest of the film. I’m a huge fan of Gadot’s work in that role, and I think she does as much as she can here. Her role in Justice League mostly just asks her to look sexy and take her turn on the punch/get punched ride whenever it comes up. She succeeds with these tasks, but as you watch her, you just feel bad, because her characterization feels reductionist after her starring role earlier this year.

Batman (Ben Affleck) is the DCEU’s Nick Fury, banding these heroes together. Affleck is, in my opinion, a great casting choice for Bruce Wayne, and Wayne (as opposed to his masked alter ego) gets plenty of time here. Unfortunately, this film’s Batman is joyless, with Wayne mopey and dire all the time, presumably over his responsibility in getting Superman killed in their last film. I get that that’s Batman’s default mode anyway, but we usually get to see glimmers of passion, and Snyder’s having none of it. I’m disappointed Affleck won’t be making a standalone Batman film because, with the right director and script, I think he could be great. He does his best here, but again, the script and story is just impassable.

Finally, we have Cyborg (Ray Fisher), a genius football player who would be dead if not for the procedure that made him part-metal and gave him the ability to fly and do other neat things. He’s the Iron Man here, except the mischievous personality has been given to Aquaman, and the limos and lifestyle to Batman. That leaves Cyborg as something of an empty suit, as interesting as War Machine, which is no one’s favorite Marvel character. I don’t think it’s Fisher’s fault that Cyborg is so boring, as I can’t see any actor making this character interesting.

There are more returning characters from past DCEU films, and these actors, all well-proven talents, mostly just pop in long enough to deliver some bad lines and collect their paycheck. I hope Amy Adams’ new car can help her escape the memory of having to say dumb things. If this gives JK Simmons enough financial stability to go make another Whiplash, maybe this was all worth the trouble.

Jason Momoa in Justice League (Warner Bros.)

 

As for the story, this is totally nothing like The Avengers. This movie’s MacGuffin is a collection of 3 magic cubes filled with unlimited power. The Avengers, you see, only had one. This film’s big bad is a being from another dimension, wears a horned helm, and unleashes a horde of flying, faceless enemies via a light beam that goes straight up into the sky. The Avengers had their faceless horde ride flying machines instead of fly on their own, so it’s completely different.

Justice League is ultimately a mess of a movie that’s way less than the sum of its parts. When I think individually about the characters, it shouldn’t be that bad. Batman, Wonder Woman, Flash, and particlarly Aquaman are all well cast, fairly well acted, and mostly fun to watch.  But the story, of world-destroyer Steppenwolf (voiced convincingly by the always-excellent Ciaran Hinds) looking for his 3 lost cubes of power, and its accompanying script are so phoned-in you just have a hard time caring. At one point, Cyborg emphatically says, “Boo-yah” like a badass, which might be the case if this movie came out in 2003. The script is filled with eyeroll-worthy moments like that.

Having aired all those grievances, I still think Justice Squad might be the 2nd best DCEU film. It isn’t as poorly done as Suicide Squad, it isn’t as boring as Man of Steel, and it isn’t merely an insulting preamble like BvS:DoJ. Unfortunately, it is a quick end to the DCEU’s creative momentum, and that’s disappointing. But remember, momentum clearly doesn’t mean too much, so maybe that’s some consolation for 2018’s Aquaman and the future of the so-far uneven DC Expanded Universe.

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Talkie Talk #62: Good Morning, Vietnam / The Films of Robin Williams

Talkie Talk
Talkie Talk #62: Good Morning, Vietnam / The Films of Robin Williams
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Goooooooooood morninnnnnnnnnng, Talkie Talk! Today we’re talking about Good Morning, Vietnam, an interesting war movie – and then talking about Robin Williams in general – an actor integral to the films of our childhoods. Spoiler alert – Flubber is snubbed.

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Homework Assignment: Good Morning, Vietnam (1:20)
Main Topic: Robin Williams (16:55)
Introducing: Instant Talk of Fame, inducting a baseline of films without a vote: First, It’s a Wonderful Life (40:15)
New Homework Assignment: Into the Wild (Amazon Prime) (43:43)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa

Thor: Ragnarok (2017)

Now in Theaters
Director: Taika Waititi
Starring: Chris Hemsworth, Cate Blanchett, and Tom Hiddleston

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Valerian and the City of a Thousand Planets (2017)

Currently available to rent on iTunes, Vudu, and Redbox
Director: Luc Besson
Starring: Dane Dehaan, Cara Delevigne, Clive Owen, Rihanna

Continue reading “Valerian and the City of a Thousand Planets (2017)”